The Catenary Wires. Tricky one I know. Does Amelia Fletcher needs any presentation? Of course not. She's one of the genuine indiepop heroines. Alongside Rob Pursey they have written some of the most unforgettable indiepop history of the past 30 years: Talulah Gosh, Heavenly, Marine Research, Tender Trap... Now they have a new project together, born after the two left London to live in the countryside, with Tender Trap disbanded. Not a lot to do except start penning songs on acoustic guitar for their own entertainment until they were invited to play at the Arnolfini Art Gallery in Bristol, at an event celebrating another myth, Sarah Records. The set mixed Heavenly tunes with some new material, with such promising results the duo has transformed the homemade songs into a mini album, “Red Red Skies”, out since June on Elefant Records. Eight back-to-basics magic songs. A moment of serene, stark, pensive and melancholic beauty, where melodies, intertwined vocals and words weight a ton. So good to have Amelia & Rob back in our lives!
Shana Cleveland & The Sandcastles. Let me introduce you Shana Cleveland, a multi-talented (musician, writer, painted, graphic designer) artist living in Seattle. Our hyperactive woman leads two bands, the garage combo La Luz and this folky-tinged affair on which she's been performing with a rotating cast of musicians tagged as The Sandcastles. Although this music project started six years ago, the bulk of 'Oh Man, Cover The Ground', her debut album, out right now on Suicide Squeeze Records, was recorded in 2011 in Shana’s basement. Breezy and heavily melodic, Shana and Co are able to summon the spirits of fingerpicking masters like John Fahey or Robbie Basho and channel them into pop casual, laid-back, gorgeous pills. The most beautiful soundtrack of the summer ahead.